Pat Elder | Counter-Recruit Press | November 2018
In July, 2015 the U.S. Army Chief of Public Affairs responded to a Freedom of Information Act (FOIA) request by releasing a massive 1,400-page list of movies and television shows his office had reviewed and influenced from 2010 to 2015.1 The list provides insight into the murky world of military censorship and sheds light on productions the Pentagon deems helpful to the recruiting effort.
The FOIA request was initiated by Tom Secker, a British-based writer who specializes in security services. The Army’s report may be found on Secker’s website, spyculture.org. Within a few weeks of Secker’s receipt of the data, just a handful of websites had reported on the significant release, including Billboard, Alternet, Salon, Techdirt, and Center for Research and Globalization. No mainstream American newspapers or TV outlets picked up the intriguing story.
The Department of Defense has several offices dedicated to providing “assistance” for a wide variety of entertainment genres. Producers of every stripe who desire military assistance in the production of “feature motion pictures, television shows, documentaries, music videos, commercial advertisements, CD-ROM games, and other audiovisual programs” are directed to contact the military service being portrayed. The Army, Air Force, Navy, and Marines operate liaison offices from four adjacent offices located on Wilshire Blvd in Los Angeles.2